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Canon 40D First Pix

 
 
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I got my 40D today and thought I'd show one shot taken as a test. Below is my wife's eye. It is a crop of a full face within the original frame--about ten percent of the original. It was taken with a 50mm f1.4 Canon lens shutter at 400th of a second at f4. The ISO was set at 3200. Other than cropping to fit within the size requirements here, there was no enhancement or sharpening. The camera picture modes were set at all zeros or natural picture mode.

Is this a great time to be a photographer or what?
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

That is really not bad for ISO3200. Bit of noise in the shaded parts but a very usable image never the less. Must say I have seen some fine examples from the 30D also if they got the exposure spot on. Think the 40D is a lot more forgiving if your exposure is slightly off. My 1DsII likes the exposure also spot on. Slightly off and the noise creeps in. My 10D is a lot more sensitive and I tend not to shoot over ISO800 but it gives me great colors.

Not wanting to spark an argument about Canon vs Nikon, but I'm delighted to see that both of them have worked hard on the noise question - initial results from the D3 suggest a similar improvement in the Nikon range, which will give me much more scope for working outdoors at night.

My old D100 was awful at anything over 400 ISO equivalent, and even the D200 is only passable at 1000+ if you knock the image size down, so this has to be a good step forwards.

I'll be shooting for some color today. My desk computer just lost its cable card for some reason, so I have to replace that first--i'm working off the laptop now.

I was pleased with the apparent sharpness of the image in available light--the best in the house--the kitchen. The ISO responded well, especially remembering the days of striving for usable images from Tri-X and any of three or four developers promising 3200 ASA results--contrasty and very grainy.

Highlights will tell the tale. Later.
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

Here we go. Local bird seeks fish. Enhanced, sharpened and resized.
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

Or a hibiscus, also enhanced, usually much more highlight burnout.
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

Charles,

I just ordered mine today. I am switching from Minolta to Canon. Hopefully it arrives before I head off to the USVI for my Rolando Gomez photography workshop. I haven't ordered any lenses yet, my buddy has Canon gear, so if push comes to shove I'll borrow his lenses. He has the 30D.

Can you offer any advise on a suitable collection of lenses that will fulfill my general requirements listed below:
1. portrait lens
2. telephoto zoom that needs to be fast focusing for sport and wildlife (birds)
3. macro
4. wide angle

I am thinking that the 70-200 IS f2.8 is probably the lens that will cover requirements 1 and 2. The low end should be good for portrait and although the reach is only 200mm I am thinking if I add the 2x extender then I'm getting 400mm. The extender still supports AF with the F2.8 but unfortunately not with the cheaper and lighter F4. The weight of the F2.8 does concern me though. It is it is twice the weight of the F4 at almost 1500g.

I was thinking that the 50mm F1.4 would be a nice prime and it is not too expensive at around $300.

I really have no idea what is the of a good wide angle or macro. Any suggestions would be appreciated.
Regards Mike

Mike Jones:

Charles,

I just ordered mine today. I am switching from Minolta to Canon. Hopefully it arrives before I head off to the USVI for my Rolando Gomez photography workshop. I haven't ordered any lenses yet, my buddy has Canon gear, so if push comes to shove I'll borrow his lenses. He has the 30D.

Can you offer any advise on a suitable collection of lenses that will fulfill my general requirements listed below:
1. portrait lens
2. telephoto zoom that needs to be fast focusing for sport and wildlife (birds)
3. macro
4. wide angle

I am thinking that the 70-200 IS f2.8 is probably the lens that will cover requirements 1 and 2. The low end should be good for portrait and although the reach is only 200mm I am thinking if I add the 2x extender then I'm getting 400mm. The extender still supports AF with the F2.8 but unfortunately not with the cheaper and lighter F4. The weight of the F2.8 does concern me though. It is it is twice the weight of the F4 at almost 1500g.

I was thinking that the 50mm F1.4 would be a nice prime and it is not too expensive at around $300.

I really have no idea what is the of a good wide angle or macro. Any suggestions would be appreciated.
Regards Mike


It all depends on what you are doing. If you plan to shoot action then the 70-200 is great. I can attest that it makes a fine portrait lens as well. But you must remember the 40D already has a 1.6 X factor due to the sensor size, so the lens becomes an effective 112-320.

The two lenses I used most in Europe with my XTi were the 10-22 EF-S and the 17-85 IS EF-S which gave me the same angle of view as a 16-35 and a 28-135. The IS made it use very easy even with the smaller aperture. I'm going to try out the 17-85 this afternoon on the 40D and see how its resolution works outs.

If you are going to be using Canon on a long term basis, you can get by with a 16-35L, 100mm Macro, 70-200 IS, but I would also think the two f4 17-40 and 70-200 would do very well for non sports shooting. The 2x Canon extender might lose the auto focus but it will retain the IS function with manual focus. However I haven't checked that out because I cheat and use a tamron extender when I want autofocus.
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

thanks Charles, I will look into your recommendations
Mike

You might find the 70-200 a bit to long on a 1.6x body for indoor portraits except for facial close-ups.
I use a 24-70 mainly for most of my portrait work, indoors or outdoors.
Outdoors I sometimes also use a 100 and now and then the 70-200.
I use a FF body(1DsII) so the 24mm on the bottom end is good enough for me.
I would advice a 1.4x converter. The 2x converter degrades the image to much.
Also note that the zoom lenses is not as sharp as the primes and does not take very well to converters. I never use the converter(1.4x) on my zooms but only on my primes. I do have a 2x converter but uses it as a paperweight after I saw how much it degraded my images.
The 50 that you mentioned is very popular for portrait work and good value for money. A very nice and light walk-around lens also.

Deon Naude:

I use a 24-70 mainly for most of my portrait work, indoors or outdoors.


Is the 24-70 that you refer to the f2.8 L model ? This is one I have been reading up on this afternoon. I found this site; www[dot]the-digital-picture[dot]com/Reviews/ very informative.

My big decision to make now is do I go for the 70-200 f2.8 or f4. I can't decide whether the extra $650 and 750grams is worth it for an extra stop. Kind of hard to justify as its only a hobby. Plus that extra $650 would go a long way towards paying for the $1000 24-70.

I was referring to the use of the 70-200 with the larger formats, Deon. I figured if Mike gets a 40D now, he may go for a full-frame later or the 1D M3, if he is into sports. The 85 1.8 is a good portrait lens for the full-frame and, at 135 with the 1.6 x factor is still not too long.

The 70-400 f4 is now available with IS, by the way. It's all in what you can afford.

I'll agree that the zooms suffer less with the 1.4 extender, but sometimes you need to reach out and touch something with your lens despite the quality loss (800 mm fd lens with 1.26x eos adapter on a 20D body and tripod, no mlu or cable release):
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

Mike Jones:

[Deon Naude: ...]

Is the 24-70 that you refer to the f2.8 L model ? This is one I have been reading up on this afternoon. I found this site; www[dot]the-digital-picture[dot]com/Reviews/ very informative.

My big decision to make now is do I go for the 70-200 f2.8 or f4. I can't decide whether the extra $650 and 750grams is worth it for an extra stop. Kind of hard to justify as its only a hobby. Plus that extra $650 would go a long way towards paying for the $1000 24-70.

Yes it is the 24-70 f/2.8L.
Interestingly most people find the 70-200 f/4 sharper than the f/2.8 version.

Charles Griffin:

I was referring to the use of the 70-200 with the larger formats, Deon. I figured if Mike gets a 40D now, he may go for a full-frame later or the 1D M3, if he is into sports. The 85 1.8 is a good portrait lens for the full-frame and, at 135 with the 1.6 x factor is still not too long.

The 70-400 f4 is now available with IS, by the way. It's all in what you can afford.

I'll agree that the zooms suffer less with the 1.4 extender, but sometimes you need to reach out and touch something with your lens despite the quality loss (800 mm fd lens with 1.26x eos adapter on a 20D body and tripod, no mlu or cable release):

Charles that looks like a painting, it is a lovely shot.
My main weapon for birds is the 500 f/4 sometimes with the 1.4xconverter added.
I presume that you meant the 70-200 f/4 now has IS.
The 85 f/1.8 is a superb lens for portraits and very good value for money. Of course the king of portraits is it's bigger brother the 85 f/1.2L but that is a very expensive piece of glass.

Charles Griffin:

I was referring to the use of the 70-200 with the larger formats, Deon. I figured if Mike gets a 40D now, he may go for a full-frame later or the 1D M3, if he is into sports. The 85 1.8 is a good portrait lens for the full-frame and, at 135 with the 1.6 x factor is still not too long.

The 70-400 f4 is now available with IS, by the way. It's all in what you can afford.

I'll agree that the zooms suffer less with the 1.4 extender, but sometimes you need to reach out and touch something with your lens despite the quality loss (800 mm fd lens with 1.26x eos adapter on a 20D body and tripod, no mlu or cable release):

I actually only saw now that you used a fd on your 20D, amazing.
I still have some fd stuff and actually gave it all a good clean just the other day.
I am thinking of putting a roll through just to clean the cobwebs out.

I have a sentimental attachment to my Canon F1, I bought it used in a pawnshop in Gulfport Mississippi in the first year of my marriage and it still fires up without a problem, still has an accurate meter reading, but I also have an adapter for manually using the FD lenses on EOS bodies, but I rarely use it. The 800, however, was bought on E-Bay with the Canon EOS adapter specifically made to allow use of their longer and expensive flourite and ssc FD lenses on the newer cameras when they were introduced. Cost me $1400, if I recall correctly. It makes the 800 an f7.

The great thing about the EOS system is that you can mount just about any manual glass from any company with adapters. I hear many use Contax Zeiss-T glass with better results than L lenses. Trouble is finding the Ziess glass.

I had an opportunity to get the previous (non-USM) 85 1.2 but I could never get the pawnshop to bring the price down to reason. Before I could come up with the money someone else bought it. It was at a economically challenging time for me. My wife considers my lust for camera stuff worse than having a mistress.

The heron with the green legs was shot with the newer 70-300 IS that was part of my travel kit this summer. If I go on a walk, I take it with me. The heron was usually calm and let me get to within 12 feet, so I have some tighter shots of the head and the legs but I liked the full composition best.
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

That is a great head profile shot, nice and close with no distraction in the background. Would be a cool field guide book shot.

As a consideration, you will find that your camera has an easier time focusing in marginal lighting with a faster lens. I have also heard the same comments about slower lenses being sharper. I've always been inclined to believe that that is a mistaken perception based on the greater depth of field of the slower lenses. I have the Nikon ED VR 70-200 f2.8 and I sure can't fault it. Incredibly crisp. Also incredibly expensive, but I love it.

Thank goodness!

I still use the Canon 10D. It became my favorite camera when the digital age came around. I switched over to Canon from Minolta because of it. When digital image size capacities increased for mainstream cameras I looked at the Canon 30D but was disgusted by some of the limitations built into it. Obviously enough photographers were also upset because all of the functionality that I love on the 10D has been returned with the 40D.

And now, Charles, I have seen your real life, field experience shots from the 40D. (I don't ever trust manufacturer shots. They tend to do those in picture perfect conditions set-up for the exact capabilities of their camera.) Based upon your pictures and write-ups, I am running downtown tomorrow and buying me two of those bad boys!

Thanks, Chalres! :thumbup:
:cantlook: Have faith that the universe will unfold as it should :cool:

and now:

A fish tank
40D
1/50 sec
f5.6
1600 ISO
85mm

USM and cropping
If I haven't been there, I'm still planning on going!
If I haven't done it, I've still got time to try!

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Total results: 28
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